Bionic Yarn

Beautiful, sustainable and durable. That’s the motto for Bionic Yarn and hopefully part of the fashion industry’s New Years resolution. 

Return Textiles Corp, a two-year-old New York based company, engineers and manufactures sustainable yarn and fabric made from recycled plastic bottles. The construct is made of a polyester core wrapped in recycled plastic and then depending on what the fabric will be used for, a combination of nylon, polyester or cotton will be wrapped around the recycled plastic in two different directions creating a tension similar to a Chinese finger trap. The durable fabric is used to make backpacks, luggage, handbags, active apparel, work wear, denim, footwear, home and outdoor furnishings.

 

According to Bionic Yarn it takes eighteen 1 liter recycled water bottles to make an average piece of luggage and seven recycled plastic bottles to make a pair of jeans. With 60 million plastic bottles from consumers being put into landfills daily, there is more than enough supply to continue developing these types of sustainable fabrics.

 

Pharrell Williams the Grammy winning musician and a new investor and owner of Bionic Yarn has incorporated the new material into his own clothing lines Billionaire Boys Club and Ice Cream.  Pharrell was quoted as having said he was fascinated with the technology and pleased with the softness of the denim as well. With growing concern for the environment Williams will be an ambassador to the company. As Pharrell says, “Our goal is to be the go-to fabric supplier. We want to provide quality fabrics that also happen to be sustainable. We want to do everything from high end luggage to high end denim, to university caps and gowns to Parks Department uniforms. It’s a plus that the fabric brings environmentalism to a whole new level.”

Let’s hope so Pharrell, let’s hope so.

Bionic Yarn

Billionaire Boys Club & Ice Cream

The New, Green Museum

The California Academy of Science in San Francisco’s Golden Gate Park has long been dedicated to the study of nature, and after 8 years and half a billion dollars in sustainable renovations, Italian architect Renzo Piano’s design is a pioneer in sustainable architecture. Unlike traditional theater museums, this museum is built inside the park, well underneath it to be more specific. The 2.5 acre living roof is the signature element. After walking the grounds in silence and observing the hills from a run down building, Piano sketched a simple rolling hill with a line underneath and with only his sketchbook, Piano beat the other five competitors.

Not only has Piano’s design been compared to Frank Lloyd Wright’s spiraling Guggenheim Museum and Frank Gehry’s titanium Guggenheim in Bilbao, the new museum is expected to capture the attention of the public with its design and green focus. Hoping to receive the highest ranking from the U. S. Green Building Council, a platinum LEED (Leadership in Energy and Environmental Design) certification, the living roof absorbs storm water and according to the museum will prevent 3.6 million gallons of polluted water from entering into the eco-system. The living roof is also home to wildlife and California wildflowers. It is said that the roof keeps the building 10 degrees cooler and turns carbon dioxide into oxygen.  Solar cells produce 5-10% of the museum’s energy as well. The structure is insulated by nearly 216,000 pairs of Levi’s jeans, paying homage to the native San Francisco denim company.

Underneath the living roof, the museum houses the Steinhart Aquarium, Morrison Planetarium, Kimball Natural History Museum and includes a four story rainforest, a coral reef, a 100,000 gallon tank with Pacific coast marine life, a swamp, a habitat for penguins and exhibit on climate change and global warming.

Piano explains, “You almost never get a chance to build something in the middle of a great park, so it needed to be transparent…here you need to know about the connection with nature, so almost anywhere you are in this building you can see through to the outside.”

California Academy of Science: http://www.calacademy.org/
More on Renzo Piano: http://architect.architecture.sk/renzo-piano-architect/renzo-piano-architect.php

NANCY GANDRUD

Recycled Fashion

Believe it or not, the fashion industry is responsible for a large part of the world’s pollution. From manufacturing to shipping, tons of toxic chemicals, CO2 and greenhouse gasses are discharged, and huge amounts of oil and energy are consumed.  That said, where can one go for stylish, yet eco-friendly clothing?  Enter Goodone, a British label that creates hip and trendy clothes made from recycled garments. 

Founded by two Brighton University graduates, Nin Castle and Phoebe Emerson, Goodone takes second-hand or throwaway clothing and repurposes them into new garments that don’t look obviously recycled.  Their style has an urban and edgy vibe, with each garment being unique since all textiles and prints come from used clothing.  All products are locally hand-made from individually chosen recycled garments or sourced from textile recycling factories.  What is innovative about Goodone is that they are providing a creative and sustainable solution to counteract the damage that the fashion industry has been wreaking upon the environment.  By using materials that already exist, they don’t need to consume more energy or expend more toxic waste in order to manufacture new products.  And unlike some other companies that have hopped on the recycling bandwagon, Goodone’s garments are not only eco-friendly and fashionable, but also completely realistic and wearable.  Now that’s fashion with a conscience.  WU

Green Architecture, Brave New World

For some urbanites, a sustainable lifestyle means unplugging their MacBook at night, carrying a reusable tote bag to Whole Foods, and buying organic cotton t-shirts at American Apparel. While doing all these things can certainly help to lower one’s carbon footprint, believe it or not, there are even greater ways to live green. Enter a new wave of architects and designers, who (literally) take green lifestyle to new heights.

As natural resources dwindle, it is no wonder that sustainable architecture is a rapidly growing trend. Carbon neutral buildings and green housing projects are cropping up in cities around the world. Many countries now have their own rating systems for green buildings, such as the well-known LEED standard in the US. Companies like URBN Hotels are revamping the concept of eco-hotels by updating them for the urban jet-set. These new hotels feature minimalist aesthetics, recycled materials, and 5 star luxury, just for starters. From New York to Singapore, green housing projects are also making appearances. The benefits of living in one of these apartment complexes include solar powered energy, water-based air conditioning, and rain-water collection systems. Even the pre-fab home has seen a recent rise in popularity since it’s mid-century beginnings, with a new exhibit at MoMA in NYC dedicated solely to these DIY properties. Lastly, another emerging and innovative concept is the “smart building,” which incorporates bio-mimicry techniques into architecture, creating buildings that are seamlessly integrated with their surrounding environments.

What is interesting, and relevant, about all these new concepts is that it takes sustainability to a whole new level. In these new eco-buildings, people don’t have to consciously change their behaviors to live green; rather, it becomes their surroundings that are changing instead. Instead of focusing on changing the way people act, these buildings are designed to directly change the way people live by infusing sustainability into their daily lives. WU

Come Ride With Me

Rush-hour streets of New York

 

With fuel prices on the rise and the effects of global warming becoming more apparent each day, many commuters are turning to greener ways of transportation.  In New York, cab sharing is becoming a popular and cost-effective way to get from place to place.  Websites such as RideAmigos.com allows New Yorkers to search for fellow riders with common destinations and arrange to share a ride.  In Washington D.C., a program called SmartBike DC allows commuters to rent bicycles by the hour to efficiently get around the Capitol.  In Paris, a similar bike rental program, called Velib, allows Parisians (and tourists) access to public bicycles, creating an effective alternative for reaching destination points between Metro stations.  Swedish home furnishings giant IKEA takes the concept of rental bicycles one step further by providing “trailer bikes,” bicycles equipped with carts, as an eco-friendly way for shoppers to transport their flat-packed goods back home. These innovative methods of alternative transportation are gradually beginning to take off in many major cities.

Velib bike rental station in Paris

In New York, a crowded city where traffic congestion and delayed subway trains are a daily nuisance, it would be refreshing to find other (greener) means of transportation. However, a recurring problem is that most urban roads were not designed with cyclists in mind.  The lack of separate bicycle lanes in many cities heightens the risk of accidents for cyclists, and also deters many from considering biking as an alternate form of commute.  This trend for sustainability is still relatively new, and many people are only slowly beginning to adapt to the mindset of a sustainable lifestyle.   Thus, predictably, it will take a while before cities such as New York are able to fully embrace change for a more sustainable society. WU

Première Vision Inquisition

Premiere Vision: The Premier Textile Workshop

July 17, 2008 – NEW YORK
Today, I visited Première Vision’s “Preview New York.” Held in Chelsea’s Metropolitan Pavilion, textiles companies from around the world gathered to present their finest fabric samples at this textiles tradeshow. I was looking forward to this event. While stuck in traffic en route, I speculated on all the wonderful new things I would find. Like Indiana Jones on a treasure hunt, I was eager to discover some avant-garde, never-before-seen textile, or a radical new way of producing fabric from recycled tires.

After receiving my visitor’s pass, I checked the guidebook to plan my course of action. The exhibitors were categorized into four “style universes,” with the names Seduction, Distinction, Relax, and Pulsation. There was also a catering table, but the lack of a cocktail bar narrowed down my options. No matter, I decided to start in the universe of Relax. Streetwear is my field of expertise, so I was immediately drawn to the stone-washed, sand-blasted denim booths. I struck gold at my first stop, a Turkish company called Birlik Mensucat. The manager informed me that their cottons were 100% organic, even the dyes and production process were certified eco-friendly. Sounds good to me. We traded cards and I moved on, encouraged to find more organic textiles.

I wandered through the various textile universes on the hunt for innovation, making stops here and there. One of the more noteworthy visits was at Hasegawa, a Japanese textile manufacturer. Their tissue-thin silk/cotton jerseys were the finest I had ever seen. I was also intrigued by a platinum-colored jersey, which, upon inquiry, discovered it was actually metallic ink printed on fine-gauge silk jersey. I immediately ordered a swatch book.

Premiere Vision Preview New York

After a couple dozen booths, I realized that the majority of the gorgeous fabrics that I had seen were simply not organic or sustainable. In fact, sustainability didn’t even seem to be an issue, since there was no indication of it anywhere on the maps, booths, or trend displays. It was becoming tedious to have to enquire whether or not every company I visited produced eco-friendly textiles. Just as I was ready to admit defeat, I spotted a shirt with the words “100% Organic Cotton” hanging outside a booth. The booth belonged to French company Siat & Lang. The manager showed me some beautiful shirting fabrics, all 100% organic and made in France. I ordered some last samples before heading out.

During my cab ride back to the office, I reviewed all the companies I had visited. Unfortunately, I did not find as many interesting textiles as I anticipated, and was hugely disappointed by the lack of eco-consciousness in the overall exhibition. Perhaps there is a separate textile show out there specifically for sustainable materials. However, I think that if Première Vision wants to continue labeling themselves as “the premier textile workshop,” they should expand their vision and look at current issues of sustainability that are increasingly relevant to the world of fashion. WU

All photos courtesy of Première Vision. http://www.premierevision-newyork.com/

Dress Detective Gone Green

Although this is a project, the design idea is interesting enough for us to cover. All around us, the push for going green is visible. But have designers gone too far to try and capture the “green market”?

Designer Stephanie Sandstrom developed a dress that detects harmful emissions in the air. You can identify the smoggy days and areas when crinkles and kinks start to form on the dress. Powered entirely through sensors incorporated into the fabric, the wrinkles stop with higher quality air. This idea will allow you to stray away from the harmful air that lurks in the most precarious conditions, or to even make a statement about our declining air quality.

The harmful effects of global warming are changing our world and it is time for everyone to notice. But do ideas like this help us achieve the goal of becoming more “green-friendly. Instead of replacing ones wardrobe with fashion that senses smog, which would increase the carbon footprint, we suspect there are better ways of addressing the problem of air pollution.

You can learn more about the Dress along with other imaginative designs at the San Francisco Exploratorium’s 2nd Skin Exhibition through September 7, 2008. HANNA

Green Racer

With fuel prices on the rise, and governments attempting to curb carbon emissions, it’s no surprise that the auto industry is leaning towards more eco-friendly cars. Recent auto shows revealed a new generation of cars that are more sustainable than ever before. What sets the new breed of hybrid cars apart is that, unlike past concepts, many of these vehicles are more practical and road-ready.

Toyota has introduced a new Prius that draws on solar energy for power, creating an endless source of renewable energy. The energy will power the car’s air conditioning unit, making for a more fuel-efficient ride. Fellow Japanese company, Honda, is not far behind, with a Civic hybrid that utilizes lightweight parts made from biodegradable materials. Leading French automobile company, Peugeot, has also been dedicated to developing sustainable vehicles. Their urban-friendly Citroen C-Cactus prototype debuted last year in Frankfurt, and they’ve recently introduced the 308 RCZ, a fuel-efficient car jointly produced with BMW. The 308 BioFlex represents a new wave of cars that run on eco-conscious biofuel.

What is innovative about these eco-cars is that the designers have more to consider than just performance and aesthetics. They must tap into a specific lifestyle and market where people want smaller, lighter, and more sustainable vehicles. Drivers are increasingly seeking cars that can reduce their environmental impact. As new technologies make way for a dazzling array of possibilities, it won’t be long before “green” cars dominate the roads. WU

The Future of Bottled Water is Dry

Saving our environment is talk. The sale of bottled water has not declined since its introduction. A few facts from the Water Quality Association:

* Bottled water sales and consumption continue to rise, according to statistics released April 9, 2007, by the International Bottled Water Association (IBWA) and Beverage Marketing Corporation (BMC).

* Total US bottled water volume exceeded 8.25 billion gallons in 2006, a 9.5 percent increase over the prior year.

* Wholesale dollar sales for bottled water exceeded $10.8 billion in 2006, an 8.5 percent increase over the $10 billion in 2005.

My goal as a designer is to inspire and lead. It is evident that people are still consuming bottled water. This may be the result of too few alternatives. Forget your Nalgene (www.nalgene-outdoor.com/store) water bottle at home and your next alternative is bottled water. Tap water has earned such a bad reputation, spending 2 dollars on 12oz of water seems normal.

As a solution, I propose:

* Providing consumers with easy Internet based access to the quality of their local water supply.

* A nationwide roll out of water fountains. Yes, water fountains. Prior to the ubiquitous plastic Poland Springs water bottle, your average citizen was happy to use a public water fountain.

Some disagree with me because there is no money to be made by giving filtered water away for free. My reply, because it is not in a bottle does not mean it needs to be distributed freely. An example:

A few visionary restaurants in New York and California have offered filtered tap water as an alternative to bottled water. The filtered water costs the same as bottled water, yet has none of the environmental set-backs.

As the cost of producing and shipping bottle water surges and consumer awareness towards the environment increases, the popularity of bottled beverages will decrease.

I am currently designing filtered water fountains for the public space and welcome the feedback of water drinkers, beverage companies, city planners or filtration companies everywhere. NATALIA

Interesting Links

http://www.globalpackagegallery.com/main.php/v/bev/bottled+water/

http://www.wqa.org

MacGregor Golf: Interview with Innovator

MacGregor Golf is a 100 year old golf company, one with a new CEO. Michael J. Setola shares with us his vision and strategy for keeping the innovative brand strong.

NATALIA: Please give folks a bit of insight as to what your role entails.
Michael: As CEO of MacGregor, my primary role is to manage the investments and direction of the company. As it relates to product, inventory is our largest investment, so I keep a keen eye on product and product development.

NATALIA: How did you first become interested in fashion?
Michael: Funny story, but my first job was with Hanes Underwear. I was selling boxers and white briefs. Suddenly for the first time, colored underwear came on the scene and I saw the effect of fashion on something as simple as underwear. I was hooked on the excitement of newness and the effect great product has on business.

NATALIA: How would you define good innovation?
Michael: Good innovation is the combo of design, merchandising and sell through to the consumer. It needs to be relevant as truly new, but have meaning to the consumer.

NATALIA: Is innovation important to you? MacGregor?
Michael: At both the Greg Norman collection and in our MacGregor Golf Club companies, innovation is what separates us from the field.

NATALIA: How is innovation realized in your business?
Michael: Design, product development, technical services and production all must work together to bring innovation to the market in sync.

NATALIA: Any challenges or successes you have had bringing innovative design to market?
Michael: There are always challenges in getting all these components firing at the same time. Often, one area is ahead or behind in the ability to deliver innovation, so a project may be delayed.

NATALIA: What are some of the current innovation projects you are working on?
Michael: In apparel, climate controlled fabrics are becoming more important for the active golfer. Body temperature regulating developments are in our market and improvements are in the works. In golf clubs, we have a new metal that we are introducing to the clubface for game improvement.

NATALIA: Do you feel technology in fashion is just a trend?
Michael: Everything is a trend. It’s just about how long it stays with us. Technology will be with us for a long time, the consumer likes it.

NATALIA: In a few words please share with us your vision for the future.
Michael: Companies that innovate and develop consumer centric products will excel even more in the future. The combination of economic challenges and modern expectations will raise the bar for products to succeed.

Simon Collins: Carving a Path to Sustainability

Interview with Simon Collins, Chair of Parsons School of Fashion at The New School on: Carving a Path to Sustainability.

NATALIA: How did you first become interested in fashion?
SIMON: As a teenager it became obvious to me that girls liked boys who looked
cool. Hence fashion called to me

NATALIA: Give folks a bit of insight on what exactly your new role entails?
SIMON: I look after our BFA, MFA and AAS (Fashion) courses, for the first time
they all come together as the School of Fashion. I am charged with
creating links between Parsons and the fashion industry in new and
innovative ways. More than providing interns we will be looking for ways
to provide information and creative thinking – particularly in the
sustainable arena where industry is not yet at the forefront.

NATALIA: Is sustainability important to you. Why?
SIMON: Sustainability is important to me, just as it should be to everyone.
Frankly it’s hard to see how anyone can genuinely not think
sustainability is important. The earth’s resources aren’t ours to use up
and discard, we all have responsibilities.

NATALIA: How do you envision sustainability influencing fashion?
SIMON: It used to be that being ecologically conscious meant you had to rule
out many things. Now new options are opening up all the time and instead
we have a whole range of new materials and processes that didn’t exist
before. Fashion isn’t going to change any quicker than it ever has, but
it is going to adopt more and more sustainable aspects.

NATALIA: What challenges have you had with sustainable fashion?
SIMON: Mainly with business managers refusing to use anything sustainable if
it meant a single extra penny on the price of a product. I could name
names…

NATALIA: What are some of the current sustainable projects you are working on?
SIMON: At Parsons we have our sustainable fingers in many different pies, too
numerous to mention here.

NATALIA: Why do you think sustainable fashion does not get as much attention
as hybrid cars or organic food?
SIMON: Because the ad budgets for those fashion companies using sustainable
products cannot compare to those of the food and auto industries. Until
one of the big fashion corporations decides to actually do the right
thing (rather than just garner PR by talking about it) we will be
reliant on small companies with small budgets.

NATALIA: Where do you see the sustainable fashion in 10 years?
SIMON: I don’t expect to see a revolution. But I do anticipate a slow and
inexorable movement towards sustainability without any design
compromise. Only when it looks the same and costs the same (as
unsustainable) will it truly take off.

–

The Politics of Innovation

In our ever-evolving virtual world there are few borders. Technology and innovation learned in the first year of college, become obsolete after graduation. “Let us be the generation that reshapes our economy to compete in the digital age,” says Barack Obama.

Barack Obama is the youngest presidential candidate and is greatly aware of the value of creativity, technology and innovation. He uses websites such as Facebook and Myspace to capture and liase with supporting citizens. His campaign has broken records (40 million in a month) by raising funds through small online donations.

“We know that innovation tools like broadband are essential to the economy of the 21st century. We should not be satisfied with our standings slipping year by year. We are the birthplace of the Internet, but our broadband infrastructure is stuck in adolescence,” says Hilary Clinton.

Presidential candidates Obama, Clinton and McCain agree on the value of innovation for the United States. Each candidate has presented a policy to:
Restore government’s commitment to science research and space
Allow full exchanges of information through the Open Internet
Invest in new ideas to provide solutions such as
o    Eco-Friendly alternatives
o    Lowering Health Care Costs
o    Providing New Jobs
(http://www.usinnovation.org/pres_track/pres_tracking.asp)

That said, which leader do you think will take us successfully into the twenty-first century? I have my vote. NATALIA ALLEN

Organic, Eco and Affordable

Increasingly, mass-market fashion designers are creating eco-friendly products. The rising demand for GREEN has encouraged brands such as: Levi Strauss, Quiksilver and The Gap to provide organically grown and eco-friendly products at a competitive price point.

GREEN garments are being made from exotic materials such as: corn, wood pulp, recycled plastic, byproducts of soybean oil, seaweed, organically grown bamboo and cotton.

Sportswear brand, Patagonia produced the popular “Synchilla Marsupial”, a polyester fleece made from 85% recycled soda bottles and unusable second-quality fabrics.

Wellman Inc, a U.S. company, produces these fibers from recycled products (FRPG) and packaging products (PPG). Their efforts keep 3 billion plastic (PET – polyethylene terephthalate) bottles out of landfills each year (bottled water will become a trend of the past).

Kate O’Connor, a designer known for her fluid lines enjoys the soft hand of silk and other luxurious fabrics. She found a less expensive alternative to silk in bamboo.Bamboo fiber is completely biodegradable and is the fastest growing wood plant farmed. Bamboo fabrics absorb moisture well and help keep you cool. Bamboo is also anti-bacterial, making it useful for producing next-to-skin garments. With all its benefits bamboo is controversial because many bamboo fabrics do not last as long as cotton fabrics.

The fashion and textile industries are in the early stages of exploring and innovating GREEN materials, that said, the future is a go. NATALIA

Sold on Skandium

Not too long ago, I discovered a brilliant shop along Marylebourne Road in London. Skandium is a hub of modern Scandinavian furniture, lighting, kitchenware, and glassware for the home and office. Unlike Ikea, the products are made with quality and built to last. Skandium was named after the rare earth metal scandium, a rough dark metallic that turns pink or yellow when exposed to air. Skandium unites functionality and simplicity and provides a fresh aesthetic to traditional English homes. Developed by a collaborative team of many architectural designers such as, Arne Jacobsen, Poul Henningsen and Alvar Aalto, Skandium design is both ergonomic and beautiful. Their designs are mainly associated with clean lines and clutter-free interiors. Although its designs have minimal ornament its pieces are far from simplistic. The works maintain a contemporary refinement and classic elegance fit for today. Good news, Skandium designs developed between the 1930’s and 1960’s have become valuable collectors items, much like Bauhaus. Today’s Skandium products may be the collectables of the future. NATALIA ALLEN

Show and Tell

Showstudio.com has been a keystone site for me for the past few years. Photographer Nick Knight has developed an amazing platform where the worlds of art design, fashion, photography, theory, films, and just really cool content collide in a thought provoking and entertaining way of digesting fashion, images, and presentation.

Roger tredre, Editor in Chief of WGSN contributed his thoughts in an essay called, “ Fashion’s Ecopolitical Drama”. This is the beginning of numerous essays from theorists for “Political Fashion” a project conceptualized by Nick Knight on Showstudio. Roger’s essay highlights fashion fickle relationship with “what’s new” particularly with the green movement we are witnessing. He stresses that there is no time better than the present to implement our knowledge in a way where it becomes a part of the fashion cycle, and not just a momentary trend.

In this essay Roger tredre states, “For fashion, in particular, fence-sitting is not an option. The hard truth behind the rapid depletion of the world’s resources is that we must learn to consume less. But fashion is intrinsically linked to consumption. From clothes to mobile phones and cars, fashion is the driving force of modern consumer culture. Indeed, the recent retail industry emphasis on “fast fashion”, based on a faster turnover of trends – coupled with ultra-low prices – has encouraged us to buy more, not less.”

How can the fashion world straddle both worlds of consumption and quality? I don’t feel suggesting to others to buy less is the answer. The world is expanding, always offering something new, even if it is not a tangible product. Desire is always going to be there. The fashion world needs to offer a desire for quality. It’s not about consuming less. It’s about consuming intelligently. SOSA

Missing the Mark

Several forecasts on the future of technology and design exposed how little attention is paid to the customer. Few prioritize how and why humans benefit from technology, desire or will use it in ten years. Instead the reports glorified novel ideas and small improvements on existing products. Innovation is already an overused word, however, in it’s meaning there is opportunity to institute change. There are very few of us that get excited at the thought of nano-particle formation or new computer widgets. We do enjoy saved time, easier commutes and cleaner environments. Only when companies organize behind the belief that good design equals good business, will the product offerings progress modern life. That said, every now and then beautiful innovation rises to the top, so I am hopeful. NATALIA ALLEN

Noir

At DESIGN FUTURIST, I am currently involved in multiple sustainable projects including organic textiles, light shipping and ethical labor for luxury brands. In the high-end market, innovation is not the only factor. I must design beautiful products that provide a sense of cool, opulence and function. Pairing the two components is not always easy. Holistically ‘green’ product design has its limitations including price, what textile mills and manufacturers may be used. Most shrink at this crossroad. Noir however, has decided to build a mill of their own. The most impressive team I have seen since Arcyterx (who build a state of the art factory in Canada to create exceptional technical mountain gear). Noir, a Danish label, designs sexy modern tailor-mades for women. Fifty percent of the collection is made from organic fair-trade African cotton. Some of the cotton is treated to created complex finishes and textures. Noir also shares proceeds with the Noir Foundation, to provide medicine and micro-loans to families. A truly innovative fashion business I support.

NATALIA

Less is More

In the age of modern sustainability, the concept of luxury encompasses more than the collection of high-end baubles, it’s increasingly about exclusivity of experience. The Micro-Compact Home, or M-Ch, offers a unique short-term living space fully contained within 2.6 meters squared. Developed by a collaborative team of researchers and designers based in London and the Technical University in Munich, M-Ch incorporates design details most “at home” in the automotive and aeronautics industry. While currently only available in geographical Europe, the exterior is customizable (paint and/or graphics) and recyclable after an average 5-year lifespan. Basic expansion packages are also available, as modified doors can connect two units in a modular fashion. Plans for Stateside introduction are forthcoming; perhaps a streamlined weekend home will become the must have-item for Memorial Day weekend 2008. www.microcompacthome.com

Kenya Robinson for DESIGN FUTURIST

Sustainable Escapes

Twenty-five years ago the term “eco-tourism” didn’t exist, but a look at today’s hospitality landscape reveals a growing number of ecologically mindful options. While hotels/resorts are notoriously taxing on the environment, newly developed design concepts are increasingly reliant upon the inclusion of sustainable elements. Using a green approach to problem solving, designers, architects, and engineers create destinations that actively reduce Carbon footprinting, nurture community connections, and effectively employ architectural conservation. Fortunately, these earth-friendly practices do not preclude luxury, as evidenced by the DESIGN FUTURIST selections below.

Kenya Robinson

 

NIMMO BAY
British Columbia, Canada

www.nimmobay.com

Nestled on the British Columbian coast north of Vancouver, Nimmo Bay is a pristine respite from the monotony of urban development. Enjoy catch-and-release fishing, kayaking or listen to a scenic waterfall provide a soothing soundtrack to a full-body massage. This same waterfall (and others like it), along with a waterpower generator, supply the resort with 80% of its energy needs. The floating bakery and lodge demonstrate architectural conservation by minimizing land usage.

 

AVALON COASTAL RETREAT
Tasmania, Australia

www.avaloncoastalretreat.com.au

The Avalon Coastal Retreat on Great Oyster Bay is a private eco cottage where the minimalist leanings of the thoroughly modern design serve as a lens to view the area’s austere beauty. With the inclusion of only indigenous specimens in landscaping and using rain water tanks as a primary resource, Avalon successfully creates luxury, responsibly.

 

ECOCAMP
Patagonia, Chile

www.ecocamp.travel

With accommodations comparable to a 4-star rating, EcoCamp is a remarkable mix of the rugged outdoors and a sumptuous take on ‘basic’ comforts. The design of the dome shaped units that comprise the EcoCamp compound are directly inspired by the original inhabitants of the region, the Kawesqar and the Alacalufes. This attentive approach illustrates a unique community connection and pays homage to an ancient and sustainable way life. Here, solar power is rarely in short supply, as during the summer months daylight can last up to 17 hours, powering everything from food preparation to the heaters that help maintain the composting units. Various hiking packages are also available (from novice to expert), while the ceiling windows located in each dome, offer equal opportunity access to the spectacular view of the night sky.

 

MAHO BAY
Concordia, St. John- U.S. Virgin Islands

www.maho.org

One of the most renowned eco-resorts in the world Maho Bay is an early example of green tourism. Located within a National Park, the Maho Bay resort is constructed with recycled materials, and features elevated walkways that protect the land from harmful foot traffic. The extremely reasonable rates and various work exchange programs, act to democratize accessibility to the picturesque getaway. Still, if a high-end experience is the goal, then Maho Bay’s Estate Concordia Studios will certainly deliver. Consisting of nine luxe suites, with vaulted ceilings and wraparound decks with full ocean views, this section of the resort maintains its green rating through the use of solar power and rainwater collection.

 

 

 

 

Beauty and Sustainability

Angela Lindvall is one of the world’s most recognized supermodels. She has appeared in ad campaigns for Chanel, Gucci, and Prada just to name a few. However, Lindvall’s most recent focus is not on modeling, but on environmental sustainability. She is the founder of COLLAGE, a public service organization that focuses on pressing environmental issues. At the COLLAGE Foundation website, I found a feature about the COLLAGE Eco-Suite at the Triton Hotel, located in San Francisco, California. The room was personally designed by Miss. Lindvall and 10% of the nightly rate is currently being donated to the COLLAGE foundation. John Galliano also participated in the creation of the room by donating a collage that was made especially for the COLLAGE room. With beauty and smarts, Miss. Lindvall is truly the full package.

http://www.collagefoundation.org/

-MB