Category Archives: Fine Art

Master of Modernism

There are few architects who are able to successfully blend minimalism and functionality.  Japanese architect, Tadao Ando, is one of the few.  He is the mastermind behind architectural beauties such as Osaka’s famed Church of Light, high-end shopping mall Omotesando Hills, and Roppongi’s 21_21 Design Sight. In New York, he brought us Morimoto.  Working mainly in Japan, Ando is famed for his clean, Modernist buildings.

Recently, Ando has completed one of his latest projects on this side of the Pacific.  His new masterpiece is the Stone Hill Center, at the Clark Art Institute in Williamston, MA.  True to his roots, Ando brings us another architectural work of art that bridges Japanese simplicity with 20th century Modernism. What makes this, and many of his previous works, noteworthy, is his use of lines and light.  In his buildings, Ando utilizes clean geometric shapes that play with the dynamics between shadow and light, creating spaces that feel pristine and zen-like.  Most importantly, Ando does not let his minimalist aesthetic interfere with accessibility.  He understands that, no matter how beautiful a building is, at the end of the day it must be functional.  The linearity of Ando’s walkways and stairs flow seamlessly to create subconsciously simple paths of navigation.  With the completion of the Stone Hill Center, Ando has once again brought 20th century Modernism to the 21st century.  WU


Visit Ando’s latest masterpiece, the Stone Hill Center, at the Clark Art Institute.  225 South Street, Williamston, MA  01267.  413.458.2303.  http://www.clarkart.edu

All photos courtesy of the Clark Art Institute.

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Show and Tell

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Showstudio.com has been a keystone site for me for the past few years. Photographer Nick Knight has developed an amazing platform where the worlds of art design, fashion, photography, theory, films, and just really cool content collide in a thought provoking and entertaining way of digesting fashion, images, and presentation.

Roger tredre, Editor in Chief of WGSN contributed his thoughts in an essay called, “ Fashion’s Ecopolitical Drama”. This is the beginning of numerous essays from theorists for “Political Fashion” a project conceptualized by Nick Knight on Showstudio. Roger’s essay highlights fashion fickle relationship with “what’s new” particularly with the green movement we are witnessing. He stresses that there is no time better than the present to implement our knowledge in a way where it becomes a part of the fashion cycle, and not just a momentary trend.

In this essay Roger tredre states, “For fashion, in particular, fence-sitting is not an option. The hard truth behind the rapid depletion of the world’s resources is that we must learn to consume less. But fashion is intrinsically linked to consumption. From clothes to mobile phones and cars, fashion is the driving force of modern consumer culture. Indeed, the recent retail industry emphasis on “fast fashion”, based on a faster turnover of trends – coupled with ultra-low prices – has encouraged us to buy more, not less.”

How can the fashion world straddle both worlds of consumption and quality? I don’t feel suggesting to others to buy less is the answer. The world is expanding, always offering something new, even if it is not a tangible product. Desire is always going to be there. The fashion world needs to offer a desire for quality. It’s not about consuming less. It’s about consuming intelligently. SOSA

Slow Dancing

Sloooow Dancing

Dance is a world of movement within the moment; where artistry is found in the fleeting choices of the here and now. David Michalek’s large scale installation piece, Slow Dancing, seeks to (literally) stretch the notion of the ephemeral nature of dance, transforming it into a meditative work of fascinating stillness. Projected on multiple screens, the piece is composed of 43 video portraits of dancers from around the globe, representing various disciplines from Capoeira to Ballet. Using an HD camera that’s generally employed by the military for ballistic analysis, he records images at whopping 1,000 frames per second (commercial films are usually recorded at 24 frames per second); beautifully extending the 5-seconds of each dancer’s original movement into a collection of 10-minute films.

Through the use of cutting edge technology, Slow Dancing embodies, for both the audience and artist, future horizons of creativity.

http://www.slowdancingfilms.com/

 

Kenya Robinson