Category Archives: Luxury

Hip-tech Pop Culture

When I see performers like Kanye West and Lady Gaga sporting light up clothing and accessories I can’t help but think that this could be a glimpse into the near future of fashion.  The visceral use of the technology lends itself in performance but could there actually be a real world purpose? Yes, but not yet. A new technology called Lumalive has emerged, and like most fashion technology collaborations, Lumalive is best suited as marketing buzz. Until there are more fashion designers that understand material technology and see the big picture, we will continue to see frivolous high-tech innovations.

Lumalive is a branch off product from Phillips, and specializes in pieces of clothing with embedded LED lights that can create moving images within the textile itself. So far, they have been pushing the idea that this is an eye catching way to promote your company, product or event.  The images that are created within the garment are very generic and look like a scrolling movie theater marquee. None the less, the experience is visually stimulating, and as this technology evolves the images will become more complex.

It seems inevitable that its novelty will wear off and that Lumalive will make its way into mainstream retail. Considering how fast trends in fashion move people may just crave a light bright garment for back to school.  Now the idea of illuminating clothing becoming accessible doesn’t seem to be so Tron-esque anymore.

CABEZAS

design-futurist-natalia-fabric-display-philips

Fashion Jobs of the Future

Chair of Fashion at Parsons, Simon Collins, moderates an informative panel of fashion industry leaders selected to discuss future careers in a fast-changing fashion industry. NATALIA

DESIGN FUTURST tv Sustainable Series

Our top 5 global brands designing beautiful sustainable fashion.

Green Architecture, Brave New World

For some urbanites, a sustainable lifestyle means unplugging their MacBook at night, carrying a reusable tote bag to Whole Foods, and buying organic cotton t-shirts at American Apparel. While doing all these things can certainly help to lower one’s carbon footprint, believe it or not, there are even greater ways to live green. Enter a new wave of architects and designers, who (literally) take green lifestyle to new heights.

As natural resources dwindle, it is no wonder that sustainable architecture is a rapidly growing trend. Carbon neutral buildings and green housing projects are cropping up in cities around the world. Many countries now have their own rating systems for green buildings, such as the well-known LEED standard in the US. Companies like URBN Hotels are revamping the concept of eco-hotels by updating them for the urban jet-set. These new hotels feature minimalist aesthetics, recycled materials, and 5 star luxury, just for starters. From New York to Singapore, green housing projects are also making appearances. The benefits of living in one of these apartment complexes include solar powered energy, water-based air conditioning, and rain-water collection systems. Even the pre-fab home has seen a recent rise in popularity since it’s mid-century beginnings, with a new exhibit at MoMA in NYC dedicated solely to these DIY properties. Lastly, another emerging and innovative concept is the “smart building,” which incorporates bio-mimicry techniques into architecture, creating buildings that are seamlessly integrated with their surrounding environments.

What is interesting, and relevant, about all these new concepts is that it takes sustainability to a whole new level. In these new eco-buildings, people don’t have to consciously change their behaviors to live green; rather, it becomes their surroundings that are changing instead. Instead of focusing on changing the way people act, these buildings are designed to directly change the way people live by infusing sustainability into their daily lives. WU

Première Vision Inquisition

Premiere Vision: The Premier Textile Workshop

July 17, 2008 – NEW YORK
Today, I visited Première Vision’s “Preview New York.” Held in Chelsea’s Metropolitan Pavilion, textiles companies from around the world gathered to present their finest fabric samples at this textiles tradeshow. I was looking forward to this event. While stuck in traffic en route, I speculated on all the wonderful new things I would find. Like Indiana Jones on a treasure hunt, I was eager to discover some avant-garde, never-before-seen textile, or a radical new way of producing fabric from recycled tires.

After receiving my visitor’s pass, I checked the guidebook to plan my course of action. The exhibitors were categorized into four “style universes,” with the names Seduction, Distinction, Relax, and Pulsation. There was also a catering table, but the lack of a cocktail bar narrowed down my options. No matter, I decided to start in the universe of Relax. Streetwear is my field of expertise, so I was immediately drawn to the stone-washed, sand-blasted denim booths. I struck gold at my first stop, a Turkish company called Birlik Mensucat. The manager informed me that their cottons were 100% organic, even the dyes and production process were certified eco-friendly. Sounds good to me. We traded cards and I moved on, encouraged to find more organic textiles.

I wandered through the various textile universes on the hunt for innovation, making stops here and there. One of the more noteworthy visits was at Hasegawa, a Japanese textile manufacturer. Their tissue-thin silk/cotton jerseys were the finest I had ever seen. I was also intrigued by a platinum-colored jersey, which, upon inquiry, discovered it was actually metallic ink printed on fine-gauge silk jersey. I immediately ordered a swatch book.

Premiere Vision Preview New York

Premiere Vision Preview New York

After a couple dozen booths, I realized that the majority of the gorgeous fabrics that I had seen were simply not organic or sustainable. In fact, sustainability didn’t even seem to be an issue, since there was no indication of it anywhere on the maps, booths, or trend displays. It was becoming tedious to have to enquire whether or not every company I visited produced eco-friendly textiles. Just as I was ready to admit defeat, I spotted a shirt with the words “100% Organic Cotton” hanging outside a booth. The booth belonged to French company Siat & Lang. The manager showed me some beautiful shirting fabrics, all 100% organic and made in France. I ordered some last samples before heading out.

During my cab ride back to the office, I reviewed all the companies I had visited. Unfortunately, I did not find as many interesting textiles as I anticipated, and was hugely disappointed by the lack of eco-consciousness in the overall exhibition. Perhaps there is a separate textile show out there specifically for sustainable materials. However, I think that if Première Vision wants to continue labeling themselves as “the premier textile workshop,” they should expand their vision and look at current issues of sustainability that are increasingly relevant to the world of fashion. WU

All photos courtesy of Première Vision. http://www.premierevision-newyork.com/

Dye Sustainable

European textiles fair Pitti Filati opens next week in Florence, as many spinners are busily preparing for the upcoming season’s latest trends.  According to many fashion forecasters, color will play a big role this Fall/Winter.  Simultaneously, the trend for “green” fashion remains strong, as demand for organic fibers has slowly increased over the past few years.  As a result, spinners are looking towards more sustainable methods of production.

Scottish company Todd & Duncan plan to introduce an organic cashmere range, while Italian spinners Loro Festa will present organic merino wool.  Since bold and intense colors will play a large role in the upcoming season, many companies are looking to the Global Organic Textile Standard, and only using dyes that have been approved organic.  

The goal of these companies is to attract and retain buyers for organic yarns.  The market is strong in Japan and in select European countries, although it is nearly non-existent in America.  To keep organic fibers in the fashion market, spinners must stay innovative and develop new methods of producing sustainable textiles that will capture the interest of the fashion industry.  WU

MacGregor Golf: Interview with Innovator

Greg Norman

MacGregor Golf is a 100 year old golf company, one with a new CEO. Michael J. Setola shares with us his vision and strategy for keeping the innovative brand strong.

NATALIA: Please give folks a bit of insight as to what your role entails.
Michael: As CEO of MacGregor, my primary role is to manage the investments and direction of the company. As it relates to product, inventory is our largest investment, so I keep a keen eye on product and product development.

NATALIA: How did you first become interested in fashion?

Michael: Funny story, but my first job was with Hanes Underwear. I was selling boxers and white briefs. Suddenly for the first time, colored underwear came on the scene and I saw the effect of fashion on something as simple as underwear. I was hooked on the excitement of newness and the effect great product has on business.

NATALIA: How would you define good innovation?

Michael: Good innovation is the combo of design, merchandising and sell through to the consumer. It needs to be relevant as truly new, but have meaning to the consumer.

NATALIA: Is innovation important to you? MacGregor?

Michael: At both the Greg Norman collection and in our MacGregor Golf Club companies, innovation is what separates us from the field.

NATALIA: How is innovation realized in your business?

Michael: Design, product development, technical services and production all must work together to bring innovation to the market in sync.

NATALIA: Any challenges or successes you have had bringing innovative design to market?

Michael: There are always challenges in getting all these components firing at the same time. Often, one area is ahead or behind in the ability to deliver innovation, so a project may be delayed.

NATALIA: What are some of the current innovation projects you are working on?

Michael: In apparel, climate controlled fabrics are becoming more important for the active golfer. Body temperature regulating developments are in our market and improvements are in the works. In golf clubs, we have a new metal that we are introducing to the clubface for game improvement.

NATALIA: Do you feel technology in fashion is just a trend?

Michael: Everything is a trend. It’s just about how long it stays with us. Technology will be with us for a long time, the consumer likes it.


NATALIA: In a few words please share with us your vision for the future.

Michael: Companies that innovate and develop consumer centric products will excel even more in the future. The combination of economic challenges and modern expectations will raise the bar for products to succeed.

Michael J Setola

BMW Fabric Car

Most automobiles are fabricated in hard plastic, glass and metal, requiring many parts and joints. The team at BMW has rethought this approach and presented a seamless skin concept. The outcome is both ergonomic and beautiful.

Design Futurist believes the best innovation not only makes objects more beautiful, it makes them more functional. General complaints from drivers have little to do with the surface and everything to do with poor durability, vulnerable electrical systems and complicated repairs.

Seamless design can mean more graceful lines, simpler parts, and fluid transitions. We hope BMW, extends this thought process to the internal design of future cars. NATALIA

A Cooler World

a cool world

Social networks such as Acoolworld.com and Asmallworld.net are private online communities. Actors, fashion designers, royals, and media makers are only a small percentage of what make up these networking sites. If Facebook is Democratic, they are Republican.

Asmallworld.net is an exclusive social network that only sends out invites to qualified individuals. It provides insight on global events, marketplace, forums on various topics, fashion, and city guides.

Acoolworld.com has brought design to exclusive social networking through the clandestine nature of its members only website. It is a social networking website for strategic connections to the most elite and private hideaways and adventures. Great power people gather here.

These networks provide people with the opportunity to view your profile and your company information in order to set out possible connections. It also acts as a guide to high-end travel, fashion, shops, sports, and nightlife.

So what is the difference between Asmallworld and Acoolworld? Both promote exclusive online interactivity for the privileged, but Acoolworld emphasizes the visual more, it was designed to be graphically chic and arresting, dare we say cool. Then there is the Diamond Lounge, a recent addition to the field. A new market for members only is forming. HANNA

Dior and Everybody

Dior and Everybody

Dior’s new line of luxury will be put to the test when they follow along with Armani, Dolce & Gabbana, Versace, and Prada, in fusing the ubiquitous cell phone with an exclusive luxury brand.

Does a newly diamond-studded alligator casing capture the idea of luxury? Cell phones are a mainstream item that everyone owns. Whether or not it is encased in diamonds or uses alligator skin, they all have the same functionality.

Dior will maintain exclusivity by selling the cell phones at a higher price than its competitors. The company expects the phones to sell best in brand hungry Russia and China. The starting price is $5,100, priced to rival Nokia’s Vertu phone.

Dior is expecting to sell between 30,000 to 60,000 units within the next year; however, competing designer luxury brands sold around 500,000 units. We found that many thought the Dior design resembles floor tiles.

There is a new market being created, one very similar to the high-end industry of sunglasses and handbags. Which ubiquitous item will be next in-line for a brand upgrade. HANNA

Simon Collins: Carving a Path to Sustainability

Interview with Simon Collins, Chair of Parsons School of Fashion at The New School on: Carving a Path to Sustainability.

NATALIA: How did you first become interested in fashion?
SIMON: As a teenager it became obvious to me that girls liked boys who looked
cool. Hence fashion called to me

NATALIA: Give folks a bit of insight on what exactly your new role entails?
SIMON: I look after our BFA, MFA and AAS (Fashion) courses, for the first time
they all come together as the School of Fashion. I am charged with
creating links between Parsons and the fashion industry in new and
innovative ways. More than providing interns we will be looking for ways
to provide information and creative thinking – particularly in the
sustainable arena where industry is not yet at the forefront.

NATALIA: Is sustainability important to you. Why?

SIMON: Sustainability is important to me, just as it should be to everyone.
Frankly it’s hard to see how anyone can genuinely not think
sustainability is important. The earth’s resources aren’t ours to use up
and discard, we all have responsibilities.

NATALIA: How do you envision sustainability influencing fashion?

SIMON: It used to be that being ecologically conscious meant you had to rule
out many things. Now new options are opening up all the time and instead
we have a whole range of new materials and processes that didn’t exist
before. Fashion isn’t going to change any quicker than it ever has, but
it is going to adopt more and more sustainable aspects.

NATALIA: What challenges have you had with sustainable fashion?

SIMON: Mainly with business managers refusing to use anything sustainable if
it meant a single extra penny on the price of a product. I could name
names…

NATALIA: What are some of the current sustainable projects you are working on?

SIMON: At Parsons we have our sustainable fingers in many different pies, too
numerous to mention here.

NATALIA: Why do you think sustainable fashion does not get as much attention
as hybrid cars or organic food?

SIMON: Because the ad budgets for those fashion companies using sustainable
products cannot compare to those of the food and auto industries. Until
one of the big fashion corporations decides to actually do the right
thing (rather than just garner PR by talking about it) we will be
reliant on small companies with small budgets.

NATALIA: Where do you see the sustainable fashion in 10 years?

SIMON: I don’t expect to see a revolution. But I do anticipate a slow and
inexorable movement towards sustainability without any design
compromise. Only when it looks the same and costs the same (as
unsustainable) will it truly take off.

GenArt Genisis

In Greek, Ninaki means something small or precious. It is fitting that Ninaki Priddy would be destined to design jewelry.

Jewelry design was not the original plan, she started out as a biology major (many great designers start off in science). This proved to be the main inspiration for her first collection.

An LA based jewelry designer of Mexican-American heritage, Ninaki is also a sculptor and architect. Her organic forms are captured from still frames of movements, put together to create fluidity in form. The bold collection morphs into continuous whimsical shapes with touches of natural elements.

Recently, she won the accessory design competition for the GenArt Styles International Design Competition. We think this is a first of many to come.

This year, Ninaki plans to expand her line to include necklaces, earrings, ear-cuffs and hair-pins. Yes, custom ear-cuffs, her unique take on modern ornament.

New jewelry design for a new generation of women. NATALIA

Lights on LD Tuttle

LD Tuttle
Tiffany Tuttle, a California native, founded LD Tuttle in 2005. A shoe and handbag designer, Tiffany Tuttle has managed to take classic favorites and bring about a sexy twist to create a contemporary rock ‘n’ roll flare. Her Spring/Summer line for 2008 takes on metallic and layers it with matted tonal colors, juxtaposed with colors like poppy red and yellow. Tiffany Tuttle’s collection of flats and heels uses elements of architecture with geometrical shapes. Her subtle details of lace, belted straps, and zippers closures at the heel add feminine detail and definition.

Her Fall/Winter line for 2008 takes on dark greys and blacks. Snow white, olive, fuchsia and metallic is added to the line to help break up the monochromatic color scheme. Her collection of boots has created a softer elegance of the male counterpoint. Her leather boots tightly wrap around the legs and when unbuckled or unzipped the boot gently drapes down.

Tiffany Tuttle places great emphasis on recognizable pieces that she brings about through her creative elements – cut outs, contrasting textures, and subtle detail. Her designs are being sold internationally and online. (http://www.ldtuttle.com/home.html). HANNA

No to Nano-silver

Nanosilver 05-02-08

Freshness during the day is more than just applying deodorant in the morning. Due to many consumers longer workday’s, consumers are in search of apparel fabrics that, not only feel fresh but also smell
fresh for longer periods. Many of these fabrics require certain finishes in order to maintain its freshness.

According to a survey conducted by Taylor Nelson Sofres Inc, 51% of male consumers would pay the extra dime to purchase clothing with specialized freshness treatments.

Silver has a natural antimicrobial ingredient that seems to inhibit the growth of bacteria and it has been used for years as bandages to cover up wounds and irritations. Because silver particles are measured using the nano scale it does not modify any fiber characteristics or performances. There are even
washing machines that spray out the particles that place the nanosilver straight into the clothes while they are being washed. The hope is that we not only have clean and fresh clothes but we can also be cleaner and bacteria free.

So what’s the catch? Silver run-off found in the concentrations has been linked to systemic disorders including retardation, cancer and blood disease. Yikes.

HANNA

Next Century Textiles

21st Century Fashion 04-16-08

Sneaker goliath Nike released Sphere, a new fabric that keeps the wearer cool. How? Dimples across the surface of the fabric act as pockets for the air. The trapped air surrounds the skin and lowers the body temperature by a few degrees.

CuteCircuit, a wearable technology company, developed the Hug Shirt. It is a form fitting shirt that contains sensor pads, activated through external pressure and temperature. The sensor pads send the strength of the hug to your phone through Bluetooth, which then sends the hug to your respected other wearing the Hug Shirt. The US military sees value in the Hug Shirt because it allows soldiers to exchange hugs with their loved ones at home from far away.
(http://www.crunchwear.com/cutecircuit-hug-shirt/).

Also interesting are color-changing fabrics made possible through flexible electro-chromic polymers. They are already becoming popular with performance companies and the US military.  I believe the options for the colorful fabric technology will increase with the invention of better wearable and washable batteries.

There are endless possibilities for the future of apparel because of innovative textile technology. Our designers are hard at work ensuring the best of the concepts become great products. NATALIA

Iconique Societas Awards

Launched in 2007 by Joost van Gorsel, publisher of Iconique.com and Melissa Sterry, CEO of Societás – the ‘Iconique Societás Excellence in Fashion Awards’ bring the global spotlight to the best emerging and most influential talent working in the genres of fashion photography and fashion illustration.

The awards jury for 2008 has just been announced and includes acclaimed Dutch photographer Ari Versluis, maverick fashion designer Arkadius, Brit milliner Louis Mariette – dubbed one of the 250 most influential creatives in the world by I-D Magazine, award-winning New York designer NATALIA ALLEN, owner of the UK’s much acclaimed ‘The Illustration Gallery’ – Oliver Jelf, McCann Group’s Head of Innovation Justin Champney, Vice President of the Society of Graphic Designers of Canada – Rod Roodenburg, top stylist and regular contributer to Italian Vogue Michael Dye, as well as awards founders Joost and Melissa.

Last year’s awards gained global coverage and entries from fashion creatives in the UK, EU, US, Asia and beyond. Iconique and Societás plan to extend the award categories yet further in 2009 – to embrace the full spectrum of the fashion visual arts.

Entry details for the 2008 awards will be announced soon, so watch this space and Iconique.com and Societas.tv for more information.

Phones of the Future

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We were eagerly awaiting the G-Phone. Instead Google surprised us with Android, an operating system for mobile devices (http://code.google.com/android/).

More than 30 technology and mobile companies including T-Mobile and Motorola have come together with Google to create an innovative mobile platform that is more user-friendly. The new platform allows for seamless access and movement of data.

Android is an open-source software and runs on Linux version 2.6 and Java. It includes typical applications such as: contacts, maps and a web browser, but with more of the Internet’s efficiency and usefulness.

Android software stack
1, Optimizes multiple virtual machines to run at once with Dalvik
2, Accelerates graphics by combining both 2D and 3D graphics based on OpenGLS
3, Faster Internet with 3G networking and WiFi technology
4, Streets views, pan around, and zoom in with GPS
5, Open source WebKit, enables you to view a screen as it would appear on a desktop

Researchers are expected to improve and add to the Android Software Development Kit (SDK), leaving the possibility for endless innovation. Phones containing the Android platform will be available later this year.

Google does not want to sell us a phone, they want to revolutionize the way phones operate. They won’t sell us an operating system, they want to provide it to every phone for free. So how will Google make its investment back? Ad revenue of course. Now that’s clever. NATALIA ALLEN

Sold on Skandium

design-futurist-032408-skandium.jpg

Not too long ago, I discovered a brilliant shop along Marylebourne Road in London. Skandium is a hub of modern Scandinavian furniture, lighting, kitchenware, and glassware for the home and office. Unlike Ikea, the products are made with quality and built to last. Skandium was named after the rare earth metal scandium, a rough dark metallic that turns pink or yellow when exposed to air. Skandium unites functionality and simplicity and provides a fresh aesthetic to traditional English homes. Developed by a collaborative team of many architectural designers such as, Arne Jacobsen, Poul Henningsen and Alvar Aalto, Skandium design is both ergonomic and beautiful. Their designs are mainly associated with clean lines and clutter-free interiors. Although its designs have minimal ornament its pieces are far from simplistic. The works maintain a contemporary refinement and classic elegance fit for today. Good news, Skandium designs developed between the 1930’s and 1960’s have become valuable collectors items, much like Bauhaus. Today’s Skandium products may be the collectables of the future. NATALIA ALLEN

Remote Wink

Remote Wink

In this age of computers and technology people often try and find the shortest and easiest way to accomplish tasks. Recently, a group of Japanese researchers led by Kazuhiro Taniguchi (http://www.osaka-u.ac.jp/eng/) have taken this idea to a whole new level. They developed a wink-based system for controlling devices suchs as MP3 players. The system being used will allow people to play their iPod with just the blink of an eye. The wink remote is a single chip computer system that uses infrared sensors to monitor movement in your temples. The temple switch is small enough to be built into a pair of glasses. Imagine being able to fast-forward, skip or backtrack to a song through eye movement. The system is advanced enough to distinguish between a one-second wink and a natural blink. The temple switch is also able to control many other household appliances. The device is underway and will be made available within the next two to three years. Researchers have also begun developing a sister to the wink-based technology, the teeth-clench method. NATALIA ALLEN

The Wonder Block

designfuturist-blog-031703-wunderbloc1.jpg designfuturist-blog-031703-wunderbloc6.jpg

After being homesick for New York’s small-scale boutiques among San Francisco’s downtown skyscrapers, Scott Lee conceptualized Wunderbloc.com, a website that allows viewers to discover, browse, and review the myriad of New York boutiques by neighborhood. With this website, Lee gives boutiques a uniform platform to represent themselves—to announce store news, display products, and receive consumer feedback. Furthermore, Wunderbloc offers an opportunity for the privately owned boutiques to collectivize and organize community events with one another and others within their area, creating a personal feel and space. Lee gives the boutiques an opportunity to counter the Internet marketing campaigns of chain stores. Because the website organizes by neighborhood, the boutiques have a community feel, resonating with the indie ideals of localism. More than just a list of individual stores, each boutique is a personality, an attribute to the distinct areas of New York. With pictures of storefronts and neighborhood landmarks, the website catalogues the different areas of the city through fashion. Moreover, the snapshots of random streetwalkers (examples featured above) of each neighborhood, labeled fashionistas, give a distinctly human picture of NoLita, SoHo, UWS, etc. The website showcases fashion in a unique way, as an exhibition of authentic lifestyles and communities defined by creatively dressed pedestrians, famed neighborhood blocks, and most importantly small-scale, local boutiques. All in all, Wunderbloc is a counter to the pre-packaged, singular and generic fashion chains across the country. YAO